Hahnemühle
William Turner 310 g

Hahnemühle William Turner

Traditional watercolour paper for striking Fine Art prints. Hahnemühle William Turner is a genuine watercolour paper made of 100% cotton, enhanced with a special inkjet coating optimised for Fine Art applications.

Its fine yet pronounced texture gives photographs and artwork reproductions stunning intensity and three-dimensional depth. The characteristic surface ensures prints that feel as authentic as the original, with a distinctly artistic touch.

Free from optical brighteners, acid, and lignin, William Turner meets the highest archival standards (ISO 9706). It is the perfect choice for photography and art reproductions requiring a strong artistic character.

Available in rolls up to 110 cm wide.

Paper Properties

Appearance : Mat, Strong Texture

Base : 100% Cotton, Cast and Pressed

Weight/m² : 310 g

ISO Museum : ISO 9706

Lightfastness : More than 100 years

Acid: No Acids

Contains : Calcium Carbonate

Optical Whiteners: No Optical Whiteners

CIE Whiteness: 88,5 %

Maximum Size: 110 x 300 cm

Hahnemühle William Turner also available with irregulars borders or Deckle Edge paper in A3+ en A2 size.

The deckle edges bring an special touch to your images and highlight the floating images in glass Frames.

 

to the Deckle Edge papers page

Option : Addition of white borders

Option: Enhance your artwork with a white border from 2 to 15 cm. The border is added to your image, so nothing from the original is cropped. Maximum width: 160 cm.

Mounting on Alu-Dibond – flat and rigid

Our Alu-Dibond is made of two white lacquered aluminum layers with a plastic core, keeping it extremely flat. Perfect for mounting images. Thickness: 3 mm.

Protect Your Hahnemühle William Turner

Hahnemühle Protective Spray
Protect your Fine Art prints with a thin, transparent protective layer that preserves color intensity and brightness.

• Prevents fading, fingerprints, and scratches
• Includes UV protection
• Fast-drying and does not alter the paper

Also available: William Turner paper in glass frames with non-reflective museum glass.