Paper Properties

Appearance : Smooth Silky Felt Texture

Base : 100% Cotton

Weight/m² : 308 g

ISO Museum : ISO 9706

Lightfastness : More than 100 years

Acid : No Acids

Optical Whiteners : No Optical Whiteners

CIE Whiteness : 92,5 %

Fixed Sizes: A3+ & A2

Hahnemühle Photo Rag® 308 Deckle Edge

Hahnemühle Photo Rag® 308 paper is one of the world's most popular paper types and a versatile support for high-quality Fine-Art inkjet prints.

This white cotton Fine-Art paper feels particularly pleasant and has a subtle structure. It seduces and gives every work of art an impressive spaciousness and intensity.
With a high-quality matte inkjet coating, it ensures excellent prints in vibrant colors, with intense blacks, pronounced contrasts and perfect detail reproduction.

This acid- and lignin-free (wood) classic meets the highest conservation requirements and is specially designed for Fine-Art applications. This paper complies with the ISO 9706 standard.

Whether for artistic photography or the reproduction of works of art, this ideal combination of structure and print quality makes Photo Rag® 308 one of the most popular Fine Art inkjet papers.

Paper Properties

Appearance : Matte, Watercolor-like paper

Base : 100% Cotton, Cast and Pressed

Weight/m² : 310 g

ISO Museum : ISO 9706

Lightfastness : More than 100 years

Acid: No Acids

Contains : Calcium Carbonate

Optical Whiteners: No Optical Whiteners

CIE Whiteness: 88,5 %

Fixed Size: A3+ & A2

Hahnemühle William Turner Deckle Edge

Hahnemühle William Turner paper is a traditional watercolor paper with a coating optimized for fine-art applications.

The fine but very clear texture of this real paper gives photographs and reproductions of works of art a stunning intensity and three-dimensionality. The characteristic texture and structure guarantee reproductions of works of art and Fine-Art that are as exceptional as they are original with a resolutely artistic touch.

The high-quality matte coating guarantees an excellent print result with impressive color reproduction and details, as well as intense blacks.

This white cotton paper is free from optical brighteners and impresses with its texture and unique visual feel. Without acid or lignin (wood), William Turner meets the highest conservation requirements.

This paper complies with the ISO 9706 standard.

Paper Properties

Appearance : Matte, Structured

Base : 100% Cotton, Cast and Pressed

Weight/m² : 350 g

ISO Museum : ISO 9706

Lightfastness : More than 100 years

Acid: No Acids

Contains : Calcium Carbonate

Optical Whiteners: No Optical Whiteners

CIE Whiteness: 87 %

Fixed Size: A3+ & A2

Hahnemühle Museum Etching Deckle Edge

Hahnemühle Museum Etching is a natural white cotton art paper with an inkjet coating specially optimised for FineArt printing.

This heavyweight textured paper does not contain optical brighteners and is characterised by its high stability. The finely textured surface with fine felt structure lends FineArt prints added depth and a three-dimensional effect. Combined with the pure cotton base, this creates a wonderfully soft tactile feel and artistic impression.

The premium matt inkjet coating produces excellent print results. Colours are wonderfully vivid, the depth of the black truly stands out and details are reproduced perfectly.

The acid- and lignin-free Museum Etching meets the most exacting requirements for age resistance and is ideal for reproducing photographs and works of art.

Mounting as a Floating Image in a Frame with GLass

The Mounting:

The image is mounted on an extension and placed 10 or 20 mm from the bottom of the frame depending on the model chosen. This enhancement is invisible, and gives the impression that the image is floating in the middle of the frame.

The interior sides of the frame and part of the bottom remain visible. They are white, which adds brightness to the entire frame.

You can choose the value of the gap between the edge of the paper and the inner edges of the frame (2, 3, 5 or 7 cm).

You can also choose the value of the white edges around your image. (Added white edges)

The Framing

The image is protected by 2 or 3 mm anti-reflective Artglass, resistant to 70% UV rays.

Our glass frames have an integrated suspension system which, in combination with the wall slat, allows them to remain parallel to the wall.

As the slat is pre-drilled, you simply place it horizontally on the wall.

After hanging, you can still move your frame to the left or right without having to do any additional work.

Adding White Borders

You can add white borders to your picture during the Online Order. You can choose from the following widths: 2 - 3 - 5 - 8 - 10 - 12 and 15 cm.
The white border is added to your image size. So nothing of your original image will be cropped. No white border can be added to the maximum dimensions. (max. A3+ ou A2).

Invisible Protective Spray

Hahnemühle Protective Spray protects digital Fine Art prints from external influences. The aerosol spray lays like a fine film on the paper, without changing the paper structure. It fixes colours of pigment-and dye ink and prevents an eventual colour fading also the intensity and the high brilliance of the colours stay permanently.

The coating increases the abrasion resistance of Fine Art papers, so the risk of fingerprint marks and scratches are reduced. Hahnemühle Protective Spray contains a UV absorber and thus offers additional protection against UV light.

The improved formulation is fast drying. A yellowing of the print due to the spray is not possible.